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Luna @ The Beachland BallroomNov. 9, 2004 Cleveland, OH
It takes a lot to flush me out these days. When I retired from the
music
business, I was really sure about it. I still am. Every now and then I
get a
call that changes everything.
Everyone who is even halfway interesting has a few different comings of
age. My
first one was spent driving around Hollywood in my VW bug listening to
Richard
Blade and Rodney Bingenheimer play The Smiths, New Order, and The
Psychedelic
Furs.
In my mid-20s I had another coming of age. This time, it was far less
pretty,
and pretty drastic. The soundtrack to this coming of age was Galaxie
500 and
Luna. Luna's music permeated my existence for an ungodly amount of
years at
that time. I had bought (even after the age of the Internet) all of
their
albums, and was obsessed with them. If any readers out there are rock
critics,
you know how tough it is to get a critic's attention.
We veteran critics and haters of anything trite all have a story of
the time
they were star struck. Mine happened the time I met Dean Wareham from
Luna. I
guess because I didn't expect to talk to anyone that night, and then
turned
around to see him standing next to me. I went to speak, and froze
solid. That
never happens to me, ever. It has never happened to me since.
A few days before the show, Cristy called and gave me the go-ahead. Jet
Set were
sending me to Luna. Hell, I woulda paid the price of entry, but there
was just
something about going to their last show and being on the list that was
just
cool. A few years ago, my brother and I were shut out of a Cleveland
show as
they were sold out. This time, I was invited to the show. Not that it
is a huge
deal to be on the list, but at least I couldn't be shut out.
I spent a few hours the week before checking out what the other
interviewers
asked, and finally, I realized that this is not rocket science or brain
surgery, or any of those really complicated things that people compare
everything to. This is music. This is the closure of a group of people
I had
grown up again with. There is nothing more to it than what we make of
it. I
decided to completely skip the inane questions.
Before the show I saw a cat at the soundboard, and I went to ask if I
could snap
some photos. I asked him if he was the sound guy, then realized it was
Sean
(guitarist) when he turned to answer. Feeling my own road weariness
creep back
in from so many nights of making hour-long conversations with complete
strangers, I just told him "thank you" for Luna.
On the way to the bar, I hooked up with Dean. With Dean also, I thanked
him for
Luna. I guess at this bend in the road, there really is not much else
to say.
They were there for my coming of age. Now, it's their turn to figure it
all out
again.
As for the show, it was a Luna show. It was ethereal. People were
smoking long
weed in front. The crowd was eclectic as hell. They played the
soundtrack of my
life as I met another cool character: Andrew from Apostle of Hustle.
The show
was a great mix of the two bands, and I had a great time, but I
couldn't help
wonder if the closing up shop of Luna, the death of my idol John Peel,
and the
death of Cleveland icon Harold Freshour was pointing me to yet another
coming
of age.
Well, Luna, thanks for the long drives at 3AM, one scotch on the rocks
over the
legal limit, cigarettes overflowing in the ashtray, and the opening
riff of
"Chinatown".
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